Thursday, 19 September 2013

DEP Requirements, Regulations

Primary Planning Controls

What is subdivision?
Subdivision involves dividing a property into smaller lots that can be sold separately, consolidation is the joining of two or more lots together to make a larger lot under the one ownership.


How it affects our design and building on the Mosman site?

objectives
Planning controls
Must be sufficient to provide usable space for building, landscaping and services.
  • Solar access and energy efficiency
  • vehicular access
  • minimum landscape area requirements
  • accommodates services(mail,waste,water,power and etc.)
  • storm water management
  • accommodates easements and access to streets
  • (p2) minimum width for access is 3m for a single dwelling.
  • Multiple access require a wider access to accommodate passing bays
    The building envelope must minimise the effect of neighbours amenities.
  • Lot sizes and dimensions must allow the development to minimise the effect on neighbours amenities including access to sun light day light privacy and views.
To have the existing sub division pattern in the R2 low residential zone maintained
  • Situated within the existing sub division patterns evident in the vicinity of the site, including block width, dimensions , orientation and layout
To have significant topographical and geographical features taken into account when creating lots and minimise the affect on important site features
  • Acknowledge site constraints such as terrain and soil erosion
  • avoid removing vegetation on su=ite such as trees and rocks
  • avoid excavations and filling of site
Conserve heritage items on site and surroundings
  • Should posses the characteristics of the area

LEP Requirements, Regulations

What is land zoning?
Land zoning is the principle legal document for controlling development and guiding planning decisions made by council to facilitate new development that is compatible and appropriate with the preferred role and character of an area. The LEP is the principle

What land zoning is our Mosman site?
Our site is low density residential R2.

What does the land zoning of our site mean? How will this impact upon building on the site?
  • permitted with out consent home occupation,
  • Mainly single dwellings are permitted,
  • restricted height = low density 8.5m,
  • restricted views,
  • permitted with consent;
-bed and breakfast
-boarding houses
-child care facilities
-community houses
-dwelling houses
-group homes
-home business

-place of worship
-recreation areas
-respite day care centres
-roads
-semi detached dwellings

Brief - Part Two

ARCH1390
Assignment Two
House Brief
Client: Steven Holl
Designer: Dominique Heraud
Bedrooms: One + One guest room
bathrooms: One
Toilets: Two
Gallery: One public, one private
  
Water Feature: One
Studio Spaces: Three
Kitchen: One
Living Room: One

Dining Room: One
Garage Space: Three
_________________________________________________________________________________

In each project we begin with information and disorder, confusion of purpose, program ambiguity, an infinity of materials and forms. All of these elements, like obfuscating smoke, swirl in a nervous atmosphere. Architecture is a result of acting on this indeterminacy.
To open architecture to questions of perception, we must suspend disbelief, disengage the rational half of the mind, and simply play and explore. Reason and skepticism must yield to a horizon of discovery. Doctrines cannot be trusted in this laboratory. Intuition is our muse. The creative spirit must be followed with happy abandon. A time of research precedes synthesis.
Phenomena & Idea, Steven Holl



House Design



MASTER BEDROOM
Feature/Parameter
Why
  1. a minimum of 20m2, plus an ensuite and a small studio space
  • Minimum space to ensure the room is of a reasonable size, in which the client and his partner can feel comfortable in
  1. Studio space in the bedroom must be separated, whilst connected to the bedroom, whether it be physically or metaphoric
  • The client does most of his work in the morning, 'when his mind is the most subjective', therefore it essential to have a space that is 60% acoustically and visually detached from the main room itself, whether this separation is created through walls, shadows or glass.
  1. The bedroom and studio space must interact in some way with the exterior shallow body of water (pond)
  • A request of the client to have the body of water incorporated throughout the entire building, therefore the presence of the water must be felt and seen in the bedroom
  1. Must not be visible from the gallery or any public areas of the house, it is to be strictly a private area
  • This room is strictly private as any bedroom should be, but it is also to nurture the clients purposes of the room, to be used as a private space for the client to be uninterrupted, undisturbed at the most subjective

GUEST BEDROOM
  1. The guest room is to serve the purposes of temporary residence
  • It is only a temporary residence to serve the purpose of the client and his partner to be able to entertain and have guest stay for small amounts of time
  1. Must fully self contained
  • To ensure the privacy of the guest, but most importantly the client and his partner. It must contain a sleeping, sitting and dining area as well as a small kitchen and bathroom
  1. Must exemplify and continue the theme and design of the client
  • As this will be an area for visitants to stay, the area must still exemplify the design desires of the client, to showcase and promote the clients works


    THE PUBLIC GALLERY
  1. The public gallery must be constructed of plain materials and composition
  • Plain materials must be used in the composition of the public to ensure that the entire focus is placed upon the clients work
  1. The public gallery must explore the idea of scale
  • Scale is a very important aspect of the clients work, therefore the gallery should explore an abundance of diverse and evocative scale
  1. The public gallery is to be the bigger of the two galleries
  • This is to ensure that the public gallery showcases a large amount of the clients work
  1. The public gallery must have no artificial lighting, its only source of light is to be natural
  • The house must be specially designed so that there in no need for artificial lighting, as the natural light should be effortlessly carried into the public space


    THE PRIVATE GALLERY
  1. The private gallery is for the purposes of private viewing and admiration
  • To allow the client to view his own work in a private, informal setting to encourage the subjectivity of his mind
  1. The gallery is only for the use of the house occupants – client and partner
  • To increase the intimacy and emotion felt with the space and the clients works
  1. The private gallery is to have no specific order, layout or presentation
  • Having no order is important to ensure that there is no disarray and encourage creativity


    STUDIO SPACE ONE - BEDROOM
  1. The studio space in the bedroom, should be metaphorically separated from the room, but may not be physically detached
  • This is to allow for the subjectivity of the clients' mind in early morning and to encourage clear thoughts
  1. The bedroom studio space must have full view of the body of water, and a distinction between the two must be blurred
  • To encourage the creativity and to allow the client to focus on the calmness, purity and scope of his work, making him feel apart of the body of water
  1. The actual space is to be of a small scale, but due to its close proximity to the body of water it is to be visually perceived as bigger
  • To be of small scale as it is not intended to be used as the primary studio space, but it must be close to body of water to increase the amount of natural light and perception of size


Thursday, 12 September 2013

Notes for Brief - Part One

Steven Holl
  • gets up in the morning and draws
  • “the morning is the time when the mind is the most subjective”
  • conveys ideas best through a sharp pencil and fine paper, conveying his mind
  • drawing is the way he thinks, the way he argues points
  • you can watch the buildings taking shape through his drawings
  • before computing was invented it was the way things were always done and he wishes to keep that aspect an influential part of his designing
  • different projections allow for you to explore through a 2D form the spatial qualities of a building
  • drawing= a way to shape space first
  • designed cut lines through an elevation give a building shape and character
  • buildings sliced by sunlight
  • bringing the sunlight into to a building, making it apart of the building
  • buildings within buildings = bamboo on the inside and cortex steel on the outside
  • projections
  • vision out of the building
  • shaping public space & the building having the same morphology
  • to really know people “you have to know their poetry”
  • carving out of space
  • pursued architecture studies in Rome in 1970
  • born in 1947 in Bremerton, Washington
  • recognised for his ability to blend space and light with great contextual sensitivity and to utilise the unique qualities of each project
  • creates concept driven design
  • seamlessly integrated new projects into context with particular cultural and historic importance
  • he did post-graduate work in an architectural association in London
  • Steven Holl takes a few main ideas and bases his architecture around that
  • imperative concepts
  • the focus on materials is a personal consideration of Holl, all of his projects place emphasis on this aspect of architecture
  • the articulation and selection of materials is important
  • models based on materials are developed before the ideas and design concepts are steeled upon
  • he considers materials to be significant to the design because of how they affect the character of the architecture
  • he feels these material selections begin to inform the ideas from the onset
  • an important understanding of aptly sequenced spaced, articulation of structure, infiltration of light, and attention to construction detailing
  • places emphasis on a strong relationship formed between architect and client
  • Holl is influenced by the surrounding environment and the characteristics of the environment to weave and invoke the outside in
  • physical “stretto” (the musical imitation of the subject in close succession is answered before its completed)
  • music can evoke into an idea about fluid connections between architectural spaces
  • house is in four sections in correspondence with the four movements of music for strings
  • heavy sounds expressed through orthogonal masonry
  • light is conveyed and depicted by curvilinear metal
  • the metal overlaps the masonry “spatial dams”
  • in the main house “aqueous space” is created by the following measures: floor plan pulls the level of one space through into the next, roof planes pull space over walls and an arched wall pulls light down from a skylight
  • use of materials are used to continue these spatial concepts
  • view through main entries reveals the overlapping and internal spaces inside
  • interior cogency Is maintained by slightly revealing the construction method with material and detailing
  • materials and method of construction follow the concept of heavy orthogonal and light curvilinear
  • light/heavy concept
  • light/heavy & orthogonal/curved ideas were expressed structurally
  • it is integral to the design and must be depicted throughout
  • “unlike a beginning in form, the concept transcends the abstract, organising the experimental phenomenal”
  • the pleasure of architectural experiences-the phenomena of light and spatial sequence, textures, smells and sounds

Steven Holl - Stretto House

http://albertinarch.blogspot.com.au/p/archetype-research-stretto-house.html

Assignment Two Course Brief

Write a brief, from the point of view of the client. 
Representation can occur through drawings (both technical and emotive), physical forms such as models, film and animation as shown this morning, and as written or verbal description.

Part 1:
Do some research on your selected architect / artist / designer to determine what they might look for in the design of a home for themselves. Can you find any information on family? What about their cultural roots? What can you say about their design style? Think through these and other questions and write up a section on your blog that defines how this person would define their needs and desires in a home.

If it is a company you are using as your research topic, treat them as a person...  If there is no family that you can identify, then you are defining a bachelor pad....

Part 2:
Put together a brief. Remember that in this document you must define not only what you want (as the client, but why) In this circumstance your brief must be capable of being understood by your architect without you there to explain it, son includes lots of explanations about room sizes, how they will be used, how your family interacts in the home, how you entertain, how you like to work in the kitchen and other general living spaces, etc. A document of this nature will run to at least 4 pages of material combining the lists of spaces and the explanation of those spaces. Also be sure that you explain the architectural style that you want for your home, and include images that help to explain what you are after.

ASSIGNMENT TWO

Saturday, 7 September 2013

PDF & Model

PDF File
https://www.dropbox.com/s/v1b1cwpbiqs9tzb/PDF%20FINAL.pdf?m


Animation
https://www.dropbox.com/s/r83ecps1izxmuzy/arch1390_final_assignmentone_animation.avi?m


Sketchup File
https://www.dropbox.com/s/6i3vphpflk45s2g/arch1390_final_assignmentone_dh.skp

Poster


Description of Model

My building formed from three primitive shapes (wedge, cone & cylinder), specifically designed to be situated within a secluded environment in which my building could effortlessly capture the view and surrounding environment and transport it into the building, creating a slim deviation between inside and out, whilst still adhering to the assignment brief.

 
There are three main aspects of my building, they include the light well, the top level and the protruding bottom level window. The light well acts as a recurring motif throughout the building


 
The LightWell

 
the light well begins at the ground level and rises up through the building as a continuous light shaft, that consists of an idealistic and manicured man made garden at the very bottom. The light well is open at the top, so when it rains, rain water can run down the glass sides of the shaft creating a natural and harmonic water feature throughout every level of the building. 

 
The idea of the garden at the bottom of the lightwell has been purposely placed to contrast to the environment found beyond the walls of the building. As a person approaches the entrance of the building, the lightwell can be seen directly from the glass door, acting as a focal and vanishing point for the person at the front door. Visually manipulating them to believe they are seeing the end of the building. However as they progress through the building their visibility is enhanced and broadened as the transition from the living room to the kitchen area experiences a lowering in ceiling height and a wider viewing angle of the light well, garden, kitchen, stair case and a slight glimpse of the outside environment. As a person moves around the lightwell they are enriched with a vast and panoramic view of a diverse, unordered, beautiful view of nature, creating a deep contrast to the confined manicured, man made garden previously viewed.

 
Protruding Window

 
the protruding window is used to allow a person to feel within and apart of the landscape they are viewing. The drastic change in celling height from the dining room into the protruding window encourages and invites one to step into the protruding window.

Top Level

 
The top level of the building was intentionally designed to be a multi-purpose space allowing for a wide range of uses. With the large increase in people working from home and changes to the Environmental Planning Act, running a business from home is becoming an increasing trend. However, not only are more businesses are being run under the Home Occupation Act, people in today’s society are seeking a lifestyle of entertainment.

 
Because I believe that peoples desire to entertain and run a business from home is a very popular occurrence, I wanted to design my building so that it was malleable and would suit the needs of a modern person/family, and that is how I formed the top level of my building.

The top level consists of a large space for entertaining, business meetings or discussions with a client, a toilet, and two rooms, as well as access to a panoramic verandah and the street level. The layout of the top level was designed to increase the privacy and insulation of the lower levels, which was achieved through the construction of a lift on the exterior of the building, a separate entrance and access to the lower levels on the opposite side to the lift entrance. This placement was specifically done for acoustic, ventilation, and privacy reasons (after all if you are having a meeting with a client you don’t want them to hear the children fighting in the levels below!).

Animations


Area & Volume Calculations

Volumes:
 - wedge = 98.15m3
 - cylinder = 240.19m3
 - cone = 413.82m3
 
Total Building Volume=752.05m3

Areas: *note all areas includes surrounding circulation space if applicable

1. Ground Floor
 -kitchen = 10.40m2
 -dining room = 27.44m2
 -bathroom =2.39m2
 -laundry =4.01m2
 -living room= 41.91m2

Total Ground Floor area =85.11

2. Middle Floor
 -Master Bed =23.63m2
 -Ensuite =2.09m2
 -Bedroom one =12.25m2
 -Bedroom two = 13.51m2
 - Bathroom = 7.29m2

 Total Middle Floor area =58.75m2

3.Top Level
 -Guest Room = 11.57m2
 -Office = 14.73m2
 -Entertaining area = 40.18m2
 -Toilet = 4.27m2

 Total Top Floor area =70.71m2

4. Garage =26.74m2


Total Building Area = 241.27m2

Schedule of Spaces (Final)

Basement:
 -Garage =
 
Ground Floor:
 -Kitchen = 4050x2595x2980
 -Dining Room = 8230x3180x2980
 -Living Room = 6050x560x3030
 -Laundry = 1760x1330x2980
 -Toilet = 1630x1150x2980
 
Middle Floor:
 -Master Bed= 3050x5250x2700
 -Ensuit = 1825x2150x2700
 -Bedroom One = 2760x4880x2800
 -Bedroom Two = 3070x4880x2800
 -Main Bathroom = 2410x3352x2700
 
Top Floor:
 -Entertaining/Multipurpose Area = 9500x4400x4700
 -Office = 3740x4200x3100
 -Toilet = 2030x1870x2800
 -Guest Room= 2760x4200x3100

Light well = 2000x9000

3D Views


Facade Elevations


Cross Section


3D Views










Line of Sight map


Public Private Spaces




Layout of Floor Plates


Plans Of Each Level





Assignment One Final